PK Movie Review (Source: Google Image)
Movie Details. . .
·
Title: PK
·
Director: Raj Kumar
Hirani
·
Music: Shantanu
Moitra, Ajay-Atul and Ankit Tiwari
·
Genre: Comedy
/ Drama
·
Running Time:
153 Minutes
·
Language: Hindi
·
Rating: 3.75/5
Plot Summary. . .
PK is a
story of an alien who lands on earth on some research mission with his
spaceship debarking him in a remote village in Rajasthan. However, no sooner
does his feet lay on earth, he finds himself stranded on his newly found haven
with his remote control stolen by someone (Welcome to THE EARTH, Mr. Alien).
The remote control is indispensable for his return to his planet as this is
suppose to give signal to his space ship to come back. The movie explores his
tryst with his destiny and also the struggle he faces on his journey of
searching for his stolen remote control.
During the
course of his journey, he encounters the God and beliefs of all different
religions which advocate altogether different ways and manners to pursue &
please the almighty. He does all which he is supposed to do to please every God
to get the remote back. The whole web of conflicting notions and beliefs
confuses him, making him question the basics and fundamentals of the almighty
and the religions & notions embodying Him. The confusion grows further as
to which sect, religion and group does he actually belongs to. In the meantime,
his frequent inquisitive habit irks a self-proclaimed godman whose whole domain
comes under the scanner & is threatened.
A
heartbroken television reporter also tags along with this alien on his journey,
in her quest to find a respectable story worth pursuing on her channel. The
association which starts off as a reporter and news subject, gradually
transforms into a bond of friendship wherein she strives to help a friend in
need to get back to his home.
What follows
on is a comical satire on God and Godman & also on many of those beliefs,
rituals and orthodox ideas which people follow without really pondering over
the rationale behind them.
My Thoughts. . .
It’s high
time the Indian cinema should serve more than just a medium to entertain the
audiences. With such a high and expanded reach, the Indian film industry should
periodically churn out the movies which do spread some social message
challenging the many taboos which are lurking in the dark shadows of our
society.
PK is one
such courageous product of our film fraternity which offers a wholesome
entertainment on one hand, and on the other, challenges the hypocrisy and false
aura built upon by the guards of various religions for the attainment of God.
The comparisons with Munnabhai series and 3 Idiots are inevitable but the
movie, even though not the best of Hirani, is indeed worth a watch and surely not
to be missed.
(I have small confession to make here – Witnessing a spaceship
coming onto the earth leaving behind an alien had actually left me in a jittery
as to what is actually happening. I kept hoping that all would be well as this
is The Raj Kumar Hirani film and (thank God) I wasn’t disappointed J )
Direction & Script
The dilemma
of being Raj Kumar Hirani stems from the immense expectations the audience
builds around his films especially after watching his Munnabhai series and his
last offering 3 Idiots. The burden of anticipations increases even further when
every damn critic and reviewer is ready with his sword (read pen) to critically
review the film by the standards clearly benchmarked with his earlier
offerings.
With PK,
Hirani manages to hold onto the finesse and feel good charisma he has earned
over the years of his tint in Bollywood. Raj Kumar Hirani’s direction of the
film is nearly perfect, with the movie folding layer by layer with each passing
scene. Almost every frame of the movie is visually blended with the message it
attempts to convey and the fact the audience does manage to get the message
signifies that the director has succeeded in his attempt of doing so.
The
writer-director Hirani with his co-writer Abhijat Joshi have cleverly crafted
various scenes in this near masterpiece depicting the plight and predicament of
an alien thereby depicting the dissonance amongst religious (for example, when
he finds that same colors white & black holds different significance for
the people of different religions). The innocence of an alien who knows nothing
about the earth, its customs religions & Gods has been brilliantly crafted
while throwing a biting satire on the prevailing customs.
However, the
problem stems occasionally when unknowingly the inferences are drawn between PK
and Oh My God, as both seem to strike a similar chord. And it wouldn’t be wrong
to say that such illations are not completely wrong. Further, I found the
climax of the movie slightly lacking as compared to the formidable foundation
the script lays down for the climax to unfold. When the so called confrontation
between the godman and the alien was reduced to a mere small (and relatively
weaker) dialogue exchange between the two, the viewer is actually left asking
for abit more. Further, as the climax unfolds, it appears more of unraveling
the comedy of errors than of a scripting brilliance of the writers or the sham
of the godman (which it was supposed to portray). Still this minor glitch
doesn’t really hamper the movie watcher experience which does offers him an
entertaining ride.
Music
The music of
the film is composed by Hirani’s trusted aide Shantanu Moitra and a song each
from the guest composers Ajay-Atul and Ankit Tiwari; the lyrics are penned by
Swanand Kirkire, Amitabh Varma and Manoj Muntashir. The strength of the music
of PK lies in the fact that most of the songs in the movie are situational and
goes well with the movie without interrupting the pace of the movie.
Shantanu
Moitra sticks to his trademark style with light and melodious musicals numbers
which are subtle and soothing to the ears and is a déjà vu of his earlier
works. Amongst four songs and instrumental piece composed by the music
director, ‘Bhagwan Hai Kahan Re Tu’ and ‘Chaar Kadam’ leads the race.
‘Bhagwan Hai
Kahan Re Tu’ is a soulful rendition by Sonu Nigam which reminds the listener of
the song ‘Jaane nahi denge tujhe’ from 3 Idiots. Its indeed a refreshing
experience to listen the veteran singer grooving to such a perfect piece aptly
describing the dilemma of the protagonist as to which God to worship.
‘Chaar
Kadam’ sung by Shaan and Shreya Ghosal is a soft romantic number which is
typically a Shantanu Moitra composition (you will agree to me once you listen
to it) which has the traces of his earlier compositions. This again has the
tendency to remain in the listener’s mind. The other two numbers ‘Love is a
waste of time’ and ‘Nanga Punga Dost’ are also melodious whacky numbers which
again has been nicely composed and rendered.
‘Tharki
Chokro’ sung by folk singer Swaroop Khan, has been composed by Ajay-Atul (of
Singham, Agneepath fame) has got traditional rajasthani folk flavor to it. And
‘Dil Darbadar’ composed and sung by Ankit Tiwari are also good to hear.
Acting & Other Aspects
The film
totally belongs to Aamir Khan and once again re-affirms the fact as to why he
is actually referred to as The Perfectionist. His expressions and dialogue
delivery are immaculate especially the confusion & pain evident on his face
at various junctures of his stint on the earth. The dialect used during his Bhojpuri
language is impeccable. The pain and anguish visible on his face longing his
return on his home planet his simply superb. The power of his performance is
such that he manages to carry on the film at points when the script appears to
fall short.
Anushka Sharma
as Jagat Janani is lovely in her new avatar and delivers her part well. Saurabh
Shukla as pseudo godman is excellent with superb expressions and reflexions.
This completely takes the legacy of Hirani using the character artists well
further (remember Asthana in Munnabhai, Virus in 3 Idiots).
Boman Irani
and Sanjay Dutt Rajput are treat to watch in their respective cameos. Sushant
Singh Rajput is one character who have slightly weaker role carved out, though
he does deliver his part well within the limits of the script offered to him.
The Final Word. . .
PK is one
such movie which delivers a powerful message while offering entertainment to
the audience. The balanced script (barring some minor glitches which gets balanced by lead actor's fine performance) with near
perfect treatment by the director and some spell binding performance by the
actors makes this a commendable venture at almost all the areas of the film
making. It’s a sweet, feel-good movie which is definitely must watch as it has
its heart at its right place and soul at the right corner. And when the heart
and soul are at right places, it is bound to be right J
Rating: 3.75/5
Watch
The Trailer. . .
~
Shubh Life . . . OM Sai Ram
© 2014 Manish Purohit (Reserved)
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